The original Hagia Sophia painting, "Night Birds over Hagia Sophia"
Planning Sketch for "Evening Call to Prayer, Hagia Sophia"( I forgot the moon!)
Surely I could understand that the birds were too happy to be drowned concubines in the painting on the wall? He was right- far too joyful! So my commission was to paint another Sophia with more serious looking 'female' birds.
"Evening Call to Prayer, Hagia Sophia"
Taking the pigeons I painted in the Sultanahmet Bird Feeders painting as a source, I decided that I wanted to paint a picture that looked like the call to prayer had begun and the birds were fleeing the sound. As one admirer had once remarked, the wings formed crescent moons- quite fitting for a call to prayer painting, so I thought they would be a good fit for the next painting of the Hagia Sophia. to make them look 'more serious', I painted them with beaks closed and without gangly-looking seagull legs.
But I decided to take it a step further and began researching the outfits of the Ottoman concubines, and decided in the whimsical spirit of Rie Munoz, I would paint the concubines flying with the seagulls. Why not? I was a lot of fun to paint this one, though technically much harder than the first because of the details of the costume.
"Concubines over Hagia Sophia"
Both paintings were very much liked by the gentleman, and after a few cups of tea in the cafe and much scrutiny, he went home with the ladies. I'll miss them, but happy they have finally found a good home!
"Concubines over Hagia Sophia" detail.