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The original Hagia Sophia painting, "Night Birds over Hagia Sophia"
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Planning Sketch for "Evening Call to Prayer, Hagia Sophia"( I forgot the moon!)
Surely I could understand that the birds were too happy to be drowned concubines in the painting on the wall? He was right- far too joyful! So my commission was to paint another Sophia with more serious looking 'female' birds.
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"Evening Call to Prayer, Hagia Sophia"
Taking the pigeons I painted in the Sultanahmet Bird Feeders painting as a source, I decided that I wanted to paint a picture that looked like the call to prayer had begun and the birds were fleeing the sound. As one admirer had once remarked, the wings formed crescent moons- quite fitting for a call to prayer painting, so I thought they would be a good fit for the next painting of the Hagia Sophia. to make them look 'more serious', I painted them with beaks closed and without gangly-looking seagull legs.
But I decided to take it a step further and began researching the outfits of the Ottoman concubines, and decided in the whimsical spirit of Rie Munoz, I would paint the concubines flying with the seagulls. Why not? I was a lot of fun to paint this one, though technically much harder than the first because of the details of the costume.
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"Concubines over Hagia Sophia"
Both paintings were very much liked by the gentleman, and after a few cups of tea in the cafe and much scrutiny, he went home with the ladies. I'll miss them, but happy they have finally found a good home!
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"Concubines over Hagia Sophia" detail.